Marin County
By Polly Conway
The dog pretended he was ours, so we were people
with a white dog looking at the water. The dog stood between us.
(This moment is mixed-genre.) It’s a conversation
between an open and a closed anemone.
I dreamed my mother miscarried, and we dredged
through handfuls of sea foam, membranous spirals for the
embryo on the bathroom countertop. Searching for one tadpole egg
in algae. That’s a little taste of freshwater, baby. Now back to the ocean.
I want you to understand the give
of rocks covered with anemones in a tide pool. Each is
studded with rubble. They pilfer pebbles to transform, reflect light.
Real rocks claimed by false rocks who shield their own softness.
In our dream, we are otters cracking shells with the right
rocks on our plush bellies. I touch
the dog’s short hair. In a tide pool, a starfish
has eighteen arms. Eighteen. That’s gotta be a record.
It’s not. Did you know
that sunflower sea stars can keep growing
arms if they want to, up to twenty-four from their round
center. They will it, as I will myself.
In the water’s dream, tunicates invade.
Botrylloides violaceus, a neon-orange colony of zooids that drapes
itself over a rocky substrate. Botrylloides diegensis, a destructive diegesis
in this cinema verité. Babe, I’m your unreliable narrator of tides.
They wash everyone away, every day, twice
on my semi-diurnal stomping ground.
Yet every little creature remains. I know, I know, I keep
perseverating on this theme but I can’t stop. A grain of sand and all that.
Picture me in slack water, a moment without movement.
Did you know the tides can stop? I’ll be waiting, invisible.
Taking shelter in a ghost shrimp tunnel. Taking
something from nothing until it all starts up again.
In my dream, there is no dog, or anything, but the flesh
of the starfish makes you hungry, you said. In your dream,
you touch the dog’s hair and it’s less bristly than you
expected. In the dog’s dream, I get licked clean.

Joshua Pelletier, Hypnos, 2023, hydrocal assemblage with carved soapstone mask, 30" x 42" x 36".
Polly Conway is a writer living on the island of Alameda, CA. She received her MFA in Creative Writing from California College of the Arts in 2007. Her work explores grief, memory, and the natural world.
Joshua Pelletier, originally from Maine, began his artistic journey as an apprentice with the Maine Stoneworker’s Guild before earning a BA from Bard College in 2000. He later founded the artist collective SALT OF THE VALLEY in the Hudson Valley, organizing exhibitions and events until enrolling in the MFA program at UC Davis. He graduated in 2010 with his first published book of drawings. Following a residency at SVA, he moved to Brooklyn, worked as a fine arts fabricator, and began teaching 3-D Design at Marist College while completing his second book of drawings. Now based in Los Angeles, he has recently outfitted a stone carving shop to expand his sculptural practice and is preparing his third book of drawings for publication in fall 2027.