Dance of Omission
By Marcia Hurlow
The first question on the long list
asks, “What did you do with it?”
While I tap dance away, heel, toe,
in a school-marm meander too slow
for the multiple antecedents
of “it,” I slip and slide down
the laundry chute, fall toward the odor
of ignore and avoid, the black gap
of gifts without thanks, the old map
with “x” erased, doe-see-doe with hand
withheld, back turned, solo waltz. The next
question looms like a storm, lightning
not a metaphor. I can’t look and turn
away to the open window, to the blank
frame of the mirror. There is my bed,
there is the desk piled high and a laptop
waits for an answer. My dervish dance
spins me straight into a corner.

Ariel Oakley, Oculus, 2024, acrylic on canvas, 48" x 44".
Marcia L. Hurlow’s eighth poetry collection, Practice Rapture, was published by Pine Row Press in 2025. Her latest chapbook, Dog Physics, was published by Main Street Rag in 2024. She is an editor of Kansas City Review and lives in Lenexa, Kansas, with her husband, Greg Stump, and their 110-pound lapdog, Lucky.
Ariel Oakley is an artist living and working in Los Angeles, California. Her paintings explore the boundaries of self and non-self, external and internal, life and generative decay. She asks: what if the body is the soul? She spends her days as a nurse in surgery at Keck Hospital of USC, where her passion for open-heart surgery continues to inform her art. She received her BFA in painting from the San Francisco Art Institute, and her MFA in Studio Art at Maryland Institute College of Art.