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Dance of Omission

By Marcia Hurlow 

The first question on the long list

asks, “What did you do with it?”

 

While I tap dance away, heel, toe,

in a school-marm meander too slow

 

for the multiple antecedents

of “it,” I slip and slide down

 

the laundry chute, fall toward the odor

of ignore and avoid, the black gap

 

of gifts without thanks, the old map

with “x” erased, doe-see-doe with hand

 

withheld, back turned, solo waltz. The next

question looms like a storm, lightning

 

not a metaphor. I can’t look and turn

away to the open window, to the blank

 

frame of the mirror. There is my bed,

there is the desk piled high and a laptop

 

waits for an answer. My dervish dance

spins me straight into a corner.

Ariel Oakley, Oculus, 2024, acrylic on canvas, 48" x 44".

Ariel Oakley, Oculus, 2024, acrylic on canvas, 48" x 44".

Marcia L. Hurlow’s eighth poetry collection, Practice Rapture, was published by Pine Row Press in 2025. Her latest chapbook, Dog Physics, was published by Main Street Rag in 2024. She is an editor of Kansas City Review and lives in Lenexa, Kansas, with her husband, Greg Stump, and their 110-pound lapdog, Lucky.

Ariel Oakley is an artist living and working in Los Angeles, California. Her paintings explore the boundaries of self and non-self, external and internal, life and generative decay. She asks: what if the body is the soul? She spends her days as a nurse in surgery at Keck Hospital of USC, where her passion for open-heart surgery continues to inform her art. She received her BFA in painting from the San Francisco Art Institute, and her MFA in Studio Art at Maryland Institute College of Art.

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