top of page

Changing Rooms

By Stephanie Jones

Michele stops swabbing the counter. She swivels in the tight corner to reach the rinse bucket and shakes her head.

 

“Why not?” says Lorraine. Curls feather her face. With wet hands, she bunches them and tucks them behind her collar. “You’re crazy.” Michele leans against the sink. Lorraine crouches below her waist to wipe the floor cabinets. The midday sun emboldens. It’s inching toward disrupting their shady awning at the community pool snack counter.

 

“I could never with a customer,” says Michele. She eyes Lorraine, bent over and scrubbing. “I mean I can’t think of a single person who’s —”

 

“What?” Lorraine looks up, out of breath.

 

“I don’t know,” says Michele. “They all look like they taste chlorinated.” She continues swabbing. Still crouched, Lorraine flings her rag in the air where it hits the awning and lands on Michele’s knee. With a flourish, she grabs it and rises from the floor like Venus from the scallop shell.

 

“You said you wanted to do something different this summer.” 

 

“Ew,” says Michele. Lorraine wrings her rag in the bucket and tosses it against the sanitizer. It slides to the floor, where customers might see it as they stub to the counter to order paper cups filled with fries. Michele retrieves it before rinsing her hands. Wisps of hair frizz at her temples. She brushes them back and bands a tighter knot around her braid. Lorraine’s curls bounce and glint auburn in the sun. Her complexion is almost similar to Michele’s. When they met, they’d bonded over shared heritages. Sometimes Lorraine packs her nut-scented lotion from The Body Shop and lets Michele use as much as she likes. Michele won’t say “body butter” but loves the fragrance. The richness overwhelms the chlorine baking on her skin. Unlike her friend, Lorraine is long and slender and noticeable. Brown eyes catching flashes of amber when she tosses her head laughing. All summer, grown men peacock around the snack counter, waiting to light her up on smoke breaks while Michele waits at the register.

 

For three summers they’ve worked the counter. From June twenty-fifth to September second, every morning except for Sundays, Michele wakes to a pulsing flutter. To work with Lorraine is to watch an interactive soap opera. There’s always a boy, sometimes a man, frequently someone else’s. Michele’s never had a boyfriend. She’s only been kissed at dances. But she relishes her role as Lorraine’s consoler in the wake of whatever sandcastle has collapsed by the end of the week. Today is Monday. By the end of their shift, Michele and Lorraine will have close-read a series of DMs and grown hoarse dissecting one- and two-word texts. Under the teal awning, they’ll preside over soggy fries and splashes of ketchup. In this way, that afternoon will be no different from any other. 

 

“So who then?” says Michele. A bubble of hesitation rises in her throat. Lorraine flops her rag by the register. She stares out from the counter at the drowsy crowd of sunbathers and says nothing. Michele holds her focus.

 

“You know the guy who comes over Tuesdays and Thursdays and orders a black coffee and a hot dog with no bun?”

 

“Yeah?” says Michele.

Lorraine lets her bottom lip curl. She leans in so her forehead is almost touching Michele’s.

“Oh my god.” Michele steps back. “You’re not serious.”

Lorraine swivels around, and Michele nearly trips forward to maintain their eye contact. “Lorraine. That guy? Lorraine! He literally asked me if I’m living life authentically.”

 

“No!” Lorraine tosses her head and laughs. “Come on. Come on, Michele, not him. His son.” She snatches her rag and snaps it at Michele’s waist. “He’s a senior at Central.”

 

“High school!” says Michele. Sweat slicks her forehead. “Like, he just graduated? Or he’s a rising senior?” 

 

“Definitely rising,” says Lorraine. Michele blushes. She covers her smile with her wet hand.

 

“He doesn’t count,” says Michele.

 

“Why not?”

 

“Because he’s not a customer. He’s just related to one.” Lorraine shrugs and resumes swabbing. She and Michele have been out of Saint Margaret’s for a year. Enrolling in the state university several hours away has made them feel renewed. Removed from the musty red oak that lines the hallways and the kids that plod around them, sucking red and purple elixir from tiny plastic barrels topped with foil.

During their junior year, Lorraine convinced Michele to wet the wick on the sacramental candle before religion class. For a week, they stashed their loafers in Lorraine’s locker and crept through the hallway in their socks. After five days of fumbling to catch a flame, Sister Regina had launched an investigation. It was the only time Michele received detention.

 

When she finishes wiping the counter, Lorraine pulls a box cutter from under the till and opens a case of plastic forks. She’s the only one who uses the blade. Michele’s hands sweat, and she worries the blunt edge might slip from her fingers, so she asks Lorraine to open everything. Michele leans forward on the counter. The candy display case needs Windexing. Through its cloudy reflection she can see Lorraine behind her, pressing her hipbone to tuck her shirt back inside her denim. A lump curdles in Michele’s throat. Feeling it well in her esophagus, she steadies herself and swallows. When the moment passes, as it does, she grabs the spray bottle from under the sink. Crouched again, Lorraine circles a dry rag across the front of the floor cabinets. Neither of them speaks until the next customer arrives twenty minutes later. 

 

The lunch counter has no employee restroom. After each shift, Michele walks to the far side of the high dive pool to change out of her uniform and into her bathing suit. She twists her braid into a bun. If she’s alone after changing, she’ll jump in front of the sink mirror to glimpse her entire frame. Michele wears a one-piece because Lorraine does. Something to do with a raised birthmark on the side of her stomach. Michele, who’s known her friend to be entirely comfortable exhibiting her body, doesn’t understand her self-consciousness. But she accepts it. An unspoken loyalty and a percolation of empathy for what she considers her friend’s rogue insecurity have kept her from purchasing a bikini. This summer’s different. She’s given in to a stirring of curiosity and seasonal languor. After six weeks of enduring her lifeguard-style suit that bulges the areas she’d rather conceal, Michele had ordered an indigo and white halter top with a matching bottom. When she tapped “place order,” she’d wondered whether the bows on the bottom piece were stitched together at the seam or able to be completely undone. 

 

For several minutes Michele stands in the locker room without intrusion from middle school girls flip flopping between stalls for toilet paper, or middle-aged women combing chlorine from their hair. She pulls a package from her tote and tears the soft plastic. The bikini looks smaller than it did online. She rolls off her shirt and ties the halter around her back and neck. Watching herself in the sink mirror, she feels exposed and elated. The top fits her perfectly.

 

The bottom is trickier. Michele has her grandmother’s figure. Most days she spends half an hour in the mirror trying to adjust it away before giving up. The material dimples around her backside. When she smooths the bottom piece in place, she jumps a couple times in the mirror. Everything looks pretty good. Her hips descend into the wash of her thighs and the halter’s lift makes her torso look longer. Almost like Lorraine’s. She feels a giddy rush inside her stomach. Her heart beats hard in her chest. Suddenly she’s sick. The faucet knob creaks as she spins it around and around until the water pressurizes and spits into the sink. She splashes her face and grips the edges of porcelain. For a moment, she stands there letting the water drip from her ears and chin and absorb into the nylon of her top. She tears a paper towel from the dispenser and pats her face and neck. Smoothing her flyaways, she uncoils her braid. In a minute she’s dry again. Michele leaves the locker room for the shallow end of the high dive pool. The bows, it turns out, are sewn together. Relief settles in her posture. Were they hand-tied, she’d almost definitely undo them at some point, swimming in the deep end.

Andy Julo Lilies 2015 digital photograph

Andy Julo, Lillies, 2015, digital photograph, 17" x 11".

– – –

Lorraine clutches her knees to her chest and remains seated on the chrome toilet lid. Condensation drips outside the stall and echoes. When her upper back starts cramping, she releases her knees and pitches herself toward the wet concrete. She’d hidden in the locker room to avoid the Central kid she’d ghosted. When she heard the leathery scratch of Michele’s sandals, she ducked into a stall. Through the broken latch, Lorraine had watched her changing into the bikini. 

 

She presses her fingertips to the stall door and pushes slowly. The room’s empty. Pins and needles tingle her hands from stretching them across her knees. She moves past rows of lockers in a trance. Only the sink mirror breaks her concentration. Flipping her hair out from inside her collar, she bunches her flattened curls. As she heads for the door, Lorraine feels something rise in her that she hoped she wouldn’t. It only lasts a moment. By the time she’s out in the sunshine she’s all but forgotten it. But for a moment there it was, parching her throat and feeling too familiar. 

 

– – –

Lightning bugs congregate by the deep end of the high dive pool. Citronella perfumes the air. As she swims up for a breath, Michele catches sight of Lorraine walking through the grass. She paddles to the tile and elbows herself onto the concrete. 

 

“Hey! Where were you?” she says. Water darkens the wisps on her face.

 

“Hey,” says Lorraine. “My mom called. I gotta go.” Michele climbs out of the pool. The shimmer of her halter reflects the late sun and dazzles the amber in Lorraine’s eyes. 

 

“What do you mean?” she says. “What happened?”

 

“No, nothing.” Lorraine looks past her. “It’s just my mom. She wants me home early. I don’t know. I think she’s too tired to make dinner maybe.” 

 

“Oh,” says Michele. “Okay. Well do you like my bathing suit?” She falters a twirl. 

 

“I love it.” Lorraine’s eyes land on the bows. “When did you get it?”

 

“Last week!” says Michele. “I ordered it.”

 

“Oh.”

 

“What?”

 

“No. Nothing,” says Lorraine. “It looks great.” She bunches her curls. “I thought—” She inhales the muggy air and clears her throat. “I just thought you wanted to go shopping this weekend.”

 

“I do! Let’s go. When do you want to go?” Michele wrings her hair on the concrete and begins braiding.

 

“I guess we could go Sunday,” says Lorraine. “But you already have one. Like, a new one.”

 

“But you need one,” says Michele. “We can go Sunday morning.”

 

“Okay,” says Lorraine. “Okay, but I might have to get one before the weekend. I’ll let you know.” As she stands dripping, Michele’s exposed skin catches a chill. Lorraine says goodbye and walks off. Michele waits until Lorraine has disappeared before she jumps back in the pool and swims a breaststroke to the deep end. When she touches the tile, her right hand reaches for the knots on her hips. Then she remembers. Withdrawing her hand, she lets her whole body float to the surface. 

 

The next few days glimmer and are gone. At times, Lorraine seems to doze while she works the register, even as she speaks casually with customers. Michele feels it too. Between freezer trucks around back and cicadas in the trees, a humming lethargy sweeps the awning and consumes them. Each day, Michele makes her way to the high dive pool after their shift ends. In her lavender one-piece, Lorraine hangs around long enough to bake in the last half hour of sunlight. On Thursday, all the porch lights are lit before Michele climbs out of the pool. Her lips purpled, she’s ready to sit in her car and let the heat from unventilated hours in the parking lot warm her skin. Lorraine, who’d been sprawling on a towel next to the diving board, disappeared some time earlier. After searching behind the snack counter and the locker room, Michele figures she’d gone home. Dusk light swaddles the high dive pool as she folds up her towel. From the bottom of her tote, she pulls a thick hair tie and bands her tangles into a bun. 

 

Michele decides to cut across the lawn to use the restroom before heading to her car. She moves quickly past the naked-hotdog man reclining in a patio chair with The New York Times Book Review spread eagle across his face. When she reaches the locker room, the front area is empty. Her sandals slap the wet concrete. As she enters a stall and lowers her bikini bottom, Michele hears a breath. She pulls up her bathing suit and listens. In the stall next to hers, she can hear it, faintly but clearly. Someone’s crying.

 

“Hello?” She taps the wall with a knuckle. “Are you okay?” The voice stifles another breath. Michele leaves her stall and slowly pushes open the door next to it. Lorraine is sitting on the chrome lid in a lime green bikini, her knees drawn to her chest. She’s trembling. Draped over the side of the toilet bowl, her right hand clutches a small blade. The box cutter. Michele stares without speaking. She scans Lorraine’s arms and wrists but there is nothing. No cuts, no blood. Then, all at once, she understands. With her other hand, Lorraine is holding the side of her stomach. Michele kneels down. Slowly and gently, she lifts Lorraine’s hand. A crimson bead ruptures and rolls down her hip. Her birthmark is bleeding. Without rising Michele pulls the entire roll of toilet paper from the wall and holds it against Lorraine’s stomach. 

 

“I just wanted it gone,” says Lorraine. 

 

“I know,” says Michele. “It’s okay.” She pulls the band from her hair. Lorraine’s curls are flat against her face with sweat. She drops the blade. Taking the band from Michele, she pulls back her hair. Neither of them speak. Careful not to move the roll from Lorraine’s skin, Michele tears off a piece of toilet paper and dabs the blood on her hip. She knows the wound is superficial. They both know. But they remain in the stall in silence, clotting Lorraine’s stomach for another twenty minutes until the bleeding stops.

Andy Julo, Nastro Barocco, 2020, cyanotype, 41.5” x 29.5”.

Andy Julo, Nastro Barocco, 2020, cyanotype, 41.5" x 29.5".

Stephanie Jones is the daughter of a Mexican immigrant and a Mediterranean Jersey girl. She is a senior features writer for DownBeat and her byline appears in The New York Times, HuffPost & elsewhere. Her poetry & fiction appears/is forthcoming in Midway Journal, Encyclopedia Prismatica, Nulla, Entre: Magazine of the Arts, Pine Hills Review & elsewhere, and as a commission for Blue Note Records. She is a 2026 Rhysling Award finalist in the long poem category, and a stepmom of two.

Andy Julo is an artist/educator currently based in Tucson, Arizona. Julo’s work is influenced by the multi-sensorial dramas of Roman Catholicism, roadside display, and vernacular expressions of fondness. Frequently memorializing everyday objects once used in play, festivity, or ritual, his work meditates on the varied ways humans “make special.” Working across alternative photography, printmaking, installation, and collage, he investigates memory, disposable materiality, and cultural record. Julo was the founding director of the Verostko Center for the Arts at Saint Vincent College in Latrobe, Pennsylvania. At present, he is pursuing a PhD in Art & Visual Culture Education at the University of Arizona, researching studio practice as a strategy for empowerment among community members currently experiencing homelessness. His work is available at Rubine Red Gallery (Palm Springs, California) and Weinberger Fine Art (Kansas City, Missouri).

bottom of page