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THE HUNTER’S CHILDREN

By John Grey

These are the hunter’s children,

crouched down in tall grass,

creeping closer and closer,

in the late afternoon’s gray light,

toward the deer herd

that nibbles on the fresh green stalks

at the edge of the forest.

 

Their voices are unnaturally low,

their stealth exaggerated,

as they grip invisible rifles,

move in tandem

like some army reconnaissance team,

while their leader,

the oldest of them,

pokes his head up from time to time

to gauge the distance to their prey.

 

When close enough to read

the markings on a stag’s rump,

that lead boy lets out a loud ‘Bang!”

and the herd panic, scatter,

dart back into the woods.

“Got a big male!” he shouts.

The others leap out from their cover,

fire away at the retreating tails and legs.

Each of them, even the littlest,

claims a kill.

 

On their way home,

in the chill of an October twilight,

they hear, in the distance,

that distinct sharp, loud crack,

ominous echoing, of real rifle fire.

That magnificent stag

is slain, not once, but twice.

Amy_MacKay_Rehearsal_2022

Amy Mackay, Rehearsal, 2022, oil on canvas, 84" x 72".

John Grey is an Australian poet and US resident. Recently, his work has appeared in New World Writing, River And South and Tenth Muse. His books, Subject Matters, Between Two Fires, and Covert, are available through Amazon. John’s work will be forthcoming in Paterson Literary Review, White Wall Review, and Cantos.

Amy MacKay is an artist and educator based in Los Angeles. She earned her MFA from UC Irvine in 2018 and BA from Bard College in 2007. Through an intensive research based process, she makes paintings based on documentation of site-specific, performative events she stages with people in her life. Her work has been featured in numerous solo and group exhibitions in spaces such as La Beast Gallery, Baert Gallery and the Honolulu Museum. MacKay is also one of the founders of the after hours gallery in Downtown Los Angeles, and the arts initiative Group Practice.

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