top of page

Nautilus

By Leon Craig

The staircase rose and curved and rose again, in a tighter spiral every time, stretching up so high we had to crane our necks to contemplate the ceiling. I realised with queasy apprehension that this was the same hotel where we’d had our Leavers’ Ball, more than a decade ago now. I could still fit into the purple slip I’d worn that night, since I had never been thin and now probably never would be. I’d contemplated wearing it for Celie and Paul’s wedding, but thankfully had decided that was bad form. Celie and my other school friends would probably remember it even without the familiar setting. I didn’t earn much, and my life abroad didn’t particularly call for occasion dresses, but I’d shelled out for a new one anyway.

 

I always came back wrong. Things in this city either changed completely, or they stood eerily still. I was exhausted and dissociated the whole time, or other people bailed on me last minute. I wondered whether I’d finally become a clinging, irrelevant ghost, haunting my old life here. Returning to the city felt like a game of grandmother’s footsteps, every time I turned back to look, it had advanced a little further in a new, unexpected direction and was holding its breath for the next assay.

 

This trip at least had a defined purpose, and Mara was with me. She hadn’t especially wanted to come; she was sick of visiting my home country, and she’d only met the happy couple once, at a dinner Celie and I had organised so that Mara wouldn’t be a complete stranger. Initially, Celie said I couldn’t have a plus-one because the guest list was too full. Mara and I had been together for three years by then. At the dinner, I had hoped to smooth things over, but Mara only ate baked chicken and smacked cucumber because of her keto diet and went home early in a cab after saying she was tired. When I came back two hours later, she was wide awake and reading a memoir in German.

 

We confirmed our details with the unsmiling man at the brass-topped front desk, and queued for the lifts. Two descended, and both opened their doors at once. Not wearing my glasses, I thought I saw a blurrily familiar back, as someone stepped into the left-hand lift. I made for the middle one instead, wanting to travel up alone before we began fraternising, but Mara didn’t follow me. I turned back, uncertain.

 

“Come on, get in, you told me we’re late,” she held her arm outstretched to keep the door of the left-hand lift from closing. She hated it when I hurried her.

 

I slunk in after Mara, finding we had the compartment to ourselves after all. I must have seen Mara’s reflection in the mirror at the back and misinterpreted that as another person. As we travelled slowly up towards the fourth floor, I breathed in, trying to steady myself, and realised the lift smelt like the cloying lilac perfume Vee used to wear to school every day. She sprayed it on her postcards, even inside her locker. Someone else clearly had the same approach; it was so thick I could taste it in the air. I remembered Vee telling me all those years ago that I should use lipliner as a base coat, “otherwise you get clown mouth,” and quickly checked my lipstick in the mirror.

 

“It smells like shit in here,” Mara complained. “Aren’t you wearing enough makeup already?”

 

“No, sorry, I forgot my trowel, I need at least another kilogram.”

 

She laughed for real this time, then kissed my ear so she wouldn’t get a mouthful of powder. As we walked along the curved walkway to the private hall, I had the strong urge to lean all the way over the ornate banister and peer down into the cavernous drop, just to feel the full effect of the vertigo, but Mara was holding my hand too tightly. I tried to empathise with her; she hadn’t grown up with this level of formality in her home country, so I’d had to explain with pictorial references why she couldn’t wear trainers to the wedding. Just that morning, she’d tried to swap out the button-down shirt we’d agreed upon for a white wifebeater under her suit jacket and become annoyed that I was emphatically not in favour of this substitution.

 

As we were hanging our summer coats on the long golden rail in the anteroom, I felt a tap on my shoulder. It was Reiko and her husband Jack, wearing a quilted-baby sling, their 8-month-old son sleeping peacefully inside. I could just see the top of his head and wondered if it still had the baby-hair smell, but as I’d missed most of the pregnancy and birth, I decided it was probably inappropriate to ask her for a sniff, even if Reiko and I used to share chewing gum and go skinny dipping in the Serpentine with Vee on warm nights. I introduced them to Mara, and they said hello for a moment, but then got distracted by a university friend of Celie’s arriving on crutches after a moped accident in Sardinia.

 

Inside the hall, waiters were circulating with champagne flutes, and we took two more out of desperation than anything. I didn’t recognise most of the people here, assumed they were colleagues and distant relatives of Celie and Paul. Susanna was here with her girlfriend as well, though I hadn’t spoken more than two words to her since she’d come out in her mid-twenties and I’d congratulated her, only to be snapped at that she’d known for a long time but “just hadn’t made a huge deal out of it like some people.” This was an interesting way to describe having swerved the decade of isolation and disapproval that I’d experienced before she’d even considered joining me in public. I noticed with a smile that she was wearing the same dress as Reiko, and Reiko looked better in it. But as I looked round for other people from school, I began to realise that they were all wearing the same turquoise dress. Celie had not three, not four, but seven bridesmaids, all kitted out in the same colourway. Everyone from our clique, except for Vee and me.

 

I downed my champagne and tried to be sanguine about it. We were in our thirties; this was utterly stupid. I had no right to be upset. I’d moved abroad, and it wouldn’t have been practical for me to take part in things like the hen party; I could never have afforded it anyway. Mara wordlessly passed me her glass and motioned for me to finish it, too. She began looking around for the loos, and I pointed her to a sign just above the top edge of the wood panelling. The air was thick with different scents, antiperspirants, and aftershaves, which I knew would be enraging to Mara. During the wait, I imagined the sly comments Vee would have made about the guests’ overstated botox, their loud conversations about villas and redundancies, if she could have been here too.

Juno Cooper, Untitled 2 – contact sheet, 2025, Silver Gelatin Print, 8" x 4".

Juno Cooper, Untitled 2 – contact sheet, 2025, silver gelatin print, 8" x 4".

All the bridesmaids formed a constellation around Paul as he waited expectantly for Celie. Her parents were standing behind them, arrayed in complementary jewel tones and arguing about something or other. I took a salmon blini and swallowed it in one gulp. More than twenty empty chairs lined the sides of the hall. I’d very apologetically asked in advance if I could please have a chair in the corner for Mara during the long pause between the reception and the dinner, because she tended to get excruciating back pain if she stood for too long after a slipped disc a few years earlier. However, Celie had told me that all the chairs were reserved for Paul’s family because they had young children, and if it was a problem, we could change out of our formalwear and go sit in a pub on the Strand for an hour. I wasn’t sure whether Celie was punishing me for some unknown slight or whether she was simply so busy that she just wasn’t thinking it through. In the end, I had offered to pay for a cab back to my parents’ place early if her back became unbearable, since I was the one dragging her to this wedding, though the thought of sitting through dinner without her made me feel humiliated and exposed.

 

A fresh wave of exhaustion swept over me, and I leant briefly against the wall, newly unpractised at walking in heels despite having spent years deforming my calf muscles for this very purpose. The music grew louder, and as it segued into a track we had all loved in 2009, my head felt empty and dry. Mara still wasn’t back from the bathroom. I had begun suffering from a recurring nightmare that I was back at our old school, except that the steps down into the cavernous changing rooms we called ‘The Dungeons’ were far steeper than before; they continued down through fathomless black depths, to the core of the earth. I would hear a demonic voice speaking directly in my mind telling me to descend, or sometimes a corded phone would ring in an out-of-the-way classroom, and I would pick it up, knowing already what the instruction was.

 

Celie walked through the double doors with aplomb, and the bridesmaids began some kind of carefully coordinated dance, circling Celie, then fanning out, before gathering back in again to whirl around her with their hands clasped. Susanna’s girlfriend filmed the proceedings with her phone. It lasted for several minutes before Paul was allowed to enter the circle, and the bridesmaids spiralled off to separate corners of the crowded room. The celebrant, a cheerful Scottish man in a kilt, presumably as a nod to one of Paul’s forebears, popped up and got on with re-introducing the couple to their nearest and dearest before running through some formalities which mostly consisted of begging people not to object for comedy purposes. Celie and Paul took a few minutes exchanging vows, which mostly seemed to be a rehashing of their major arguments, so that Paul became a happy-go-lucky scamp and Celie a benevolent dictator.

 

I felt a hand settle on my shoulder. Mara must have returned at last, though I wasn’t sure how she’d squeezed back into the room without me seeing her. I leant backwards into her embrace, but almost toppled over when I encountered only air. Behind me was empty space, and looking accusingly to my left yielded only a straight couple with their arms wrapped around each other, embracing at a distance from where I stood alone.

 

Moments later, the polished wooden door to the bathroom corridor opened with a shriek of the hinges, which made Paul pause for a moment in his speech and caused me excruciating embarrassment when Mara slipped back round for real this time. At least she didn’t ask me what she’d missed, which I feared for a second she might do.

 

Paul and Celie exchanged their rings, and then the celebrant announced that there would be a long break for them to sign the registry and have photographs taken. As I had predicted, Reiko and the best man, Musa, would be the witnesses, and I saw the other bridesmaids gather in a huddle to await the photographer and pretend they weren’t offended to have been passed over for the honour. Even if I were in the right temper to force my way through the crowd and reingratiate myself, ask about their jobs and their partners and their plans to have or avoid children and their house purchases and their parents and their holidays and their politics and their book clubs, I didn’t get the impression they particularly cared to talk to me. We would be milling around for another hour or more before we would be allowed to sit down in the room next door for dinner.

 

Sometimes it felt as if we could swim through the years, so pure and clear, utterly insubstantial, back towards ourselves on a rocky outcrop of time and meet each other there. And at others, the past was closed and sealed up, and if I’d asked anyone about it, they would deny that it had ever been.

Philip Smiley Entwined 2021 Pen ink Collage

Philip Smiley, Entwined, 2021, pen and ink collage, 12" x 16".

–––

 

The older I become, the more incapable I am of telling a story in a straight line. The past is all folded back and curled around itself, and it’s hard to distinguish between relevance and resonance, what really is related versus what feels as if it is. In my dreams, I am my current age, and very young, at once a different person and myself, it’s all happening forever there.

 

Vee and Reiko were in my Spanish class at school, and Vee talked for both of them because Reiko’s braces made her lisp, and she was shy. I threw a party while my parents were away, and it got out of hand. It was only meant to be me and some of the other girls I had lunch with, who barely tolerated me on their good days. I got so drunk on bad wine that I completely lost control of the door. All I remember is making out with some boy in our garden, and then I was being sick in an upstairs room, while somebody held back my hair and gave me water. Vee had come along on a whim after hearing about it from someone else at school. She lived round the corner, and once I was allowed out again after my parents’ outraged discovery of my misdeeds, we started drinking at her house instead. Vee was so charismatic that she could make friends with almost anyone, adults and people our age alike. She also had great physical courage; she would climb over barbed fences and shimmy up scaffolding without a thought of falling, and her laughter was so catching that sometimes just to meet her gaze felt hazardous.

 

We sat by the canal at night, drinking, or roamed the park after we were supposed to have left, hiding from the security buggies under a bush. She took me to hang out with the skaters at ‘Traf’ in the centre of the city, and somehow she knew all of them. She spent hours on the phone with her older boyfriends, persuading them to pay for fried chicken or tickets to a gig where she’d “lose them in the crowd”. We’d rip songs off Limewire or YouTube and burn each other compilations, writing detailed notes to slide into the front of the clear plastic CD case. She introduced me to Celie and Reiko, who were also in my art class and warmed up when they realised that, even though I wasn’t popular, I knew some interesting people at other schools. Vee and I would sneak out of the side gates at lunchtime to sit in a walled garden in the park and smoke cigarettes behind a bush we’d chosen because it had a clear line of sight to where any prowling teacher might come looking. We were an utterly insufferable pair.

 

And then that winter, it flipped. Vee became withdrawn, then angry, then capricious when I kept asking her what was wrong, had I done something? She ridiculed my eyeliner, ignored me in the art rooms, and stole my diary from my rucksack to read it aloud in a mocking voice. She sat with Celie and Reiko in the refectory, who were suddenly blanking me as well, so I smuggled my sandwich out in the sleeve of my jumper to eat alone. The only incident I could think of was the time she had called my phone twice one late evening in November, and I hadn’t answered, I’d been in the bath listening to music. When I called her back, she said it wasn’t important and hung up.

 

Now I spent my breaks in the Dungeons, picking my way through the labyrinthine network of underground corridors to a spot where I wouldn’t be disturbed. One day, Vee came down there and wordlessly handed me the other earphone for her iPod. We scrunched up in an alcove together like skeletons in a Roman catacomb, listening to MCR and drawing complex bowties on the ceiling with our sharpies. She told me she couldn’t be responsible for me, she had too many problems of her own to occupy her, but if I could keep a lid on things, we’d be fine.

 

We were friends again, but never quite as close. Celie and Reiko had noticed that Vee had a tendency to lie. There were six different stories of how she’d lost her virginity, and she liked to embellish what happened on nights out; she’d try to see whether she could get the people who she said had been there to remember her version. Vee had always shoplifted, and I’d ignored it to seem chill. After she started stealing from her boyfriends as well, I was too nervous to invite her over, though I was still chasing the high of when she had first liked me.

–––

 

During the gap between the ceremony and the dinner, all the waiters disappeared, presumably to muster in the other room and prepare for our onslaught. After one and a half glasses of champagne and a blini, I felt faint, if not slightly bilious. Mara was looking around the room with great curiosity. She asked, “Where are your friends?”

 

“They’re all having their photographs taken.”

 

“Isn’t there anyone you want to talk to?”

 

“Not especially, no.”

 

Every time I saw pictures of their idyllic group trips to various Mediterranean islands, I knew that as they worked through a discussion of everyone they had ever known, my failures would no doubt be included, and surely whatever I did today would be added to the list.

 

I could hear Mara holding back the rejoinder that she’d taken holiday time for this, and if I wasn’t even going to enjoy myself, what was the point?

 

In the end, she just said, “That chair’s free” and sat in it, while I pretended not to notice. Eventually, a blonde woman with school-aged twins hanging off her arrived to request the seat from Mara in a tone Mara mistook for politeness, and I did not, so we went downstairs to look for somewhere we could vape. For the first few flights of the spiral staircase, Mara hummed a jaunty tune as if we were arriving somewhere, but by the time we reached the turnoff for the terrace floor, we’d fallen into semi-companionable silence.

 

As we made our way through the crowded bar area, I felt a woman’s hair swish across my face as she pushed heavily past me; I brushed it away from my mouth in irritation. This must be the lilac perfume fanatic; the saccharine scent clung to my nose and lips, making my nausea even worse. I twisted round to call out something sarcastic like “don’t mind me,” but she was almost out of sight already, dark hair hanging in a glossy swoop down the back of her dark green dress.

 

A group from upstairs had had the same idea as Mara and me; they were all talking volubly about the limits on cash ISAs. A couple of them looked somewhat familiar from old birthday parties of Celie and Reiko’s from more than half a decade ago. I might have pushed in and reminded them, but I didn't really have anything to add to their conversation. I didn’t live here anymore. Perhaps it was wrong to come back over and over to the same unchanging place. It would be eerie even if I had not changed myself. But I had no choice; time would act upon me whether I chose to flow with it or not.

 

I often felt almost surprised that time had progressed at all while I was gone, expecting stasis until I came back to pick things up where we left off. But it moved differently around them, in great fits and starts of house prices and promotions, while abroad, things were more incremental, and we aged at subtly different rates. Once departed, maybe I should have stayed gone.

 

Mara glared at the revellers and then at me for not making the most of our proximity, before we both silently went on our phones, exhaling twin plumes of raspberry-flavoured water vapour. I watched the white clouds turning and dissolving into the night air.

Joey Kerlin, Sometimes All We Can Do Is Wring Our Hands, 2024, Mixed Media Collage, 10" x 8".

Joey Kerlin, Sometimes All We Can Do Is Wring Our Hands, 2024, mixed media collage, 10" x 8".

–––

The Leavers’ Ball had been in high summer, a week after our exams were finally over. Pregnant with nervous anticipation of our results, we’d rushed back together one last time for the drinks reception in a walled courtyard garden which the school had rented specially nearby, and which had once been used to grow physic herbs for the ineffectual tending of medieval noblemen. Vee’s occasional boyfriend, Ethan, texted me to ask where she was, but Vee had already warned me she would bunk off this part because she hated group photos. She often asked me to provide her alibis, but stopped after I said she was with me when Ethan asked, even though she had been with him at that very moment. They had both found that hilarious.

 

The others were still dissecting the History final and whether they had understood the questions correctly, for all the good that did at this stage. We were under strict instruction not to pick anything or ash on the plants. As soon as the photos had been taken, we were swiftly shepherded out of the garden by the games mistress, barking that we were going to be late and chivvying us down the few winding streets to the hotel. The Boyfriends were waiting in a big gaggle by the stairs, and each of them claimed one of my schoolfellows, like crocodiles picking off gazelles in a nature documentary. Celie, Reiko, and Susanna had all paired off, and I waited to see whether Ethan would make an appearance, but suddenly she was there, without him, in a long dark green dress that highlighted her pallor and gave her blue eyes a seaglass tint.

 

There was a seating plan for dinner arranged by the Ball Committee, who were in another clique entirely and had scant knowledge of our social intricacies. I was placed next to Reiko’s boyfriend, who was pleasant enough but only interested in Xenophon and probably going straight into officer training after university. It was so loud that I couldn’t talk to Reiko around him at all, and Vee was all the way across the circular table, sitting between two girls I barely knew, looking mutinous. The wine was extremely limited, which did not help when they opened the dance floor after dinner. My schoolmates had added so many joke tracks to the playlist suggestions, including the entire discography of Eminem and imagined anthems like “Mr Jessop is a Wanker” by All of Us, that the staff had taken back control and put on a load of old top 40 songs instead in frustration. I left the ballroom for a breather on the stairs and saw Vee, perched in the middle of the burgundy carpet a little way up the next curving flight of stairs, staring intently at nothing.

 

I climbed up to sit beside her and asked whether something was the matter. She snapped that it wasn’t and passed me her steel hipflask, lipstick clotted around the opening. Eventually, she said, “It’s just relentless.”

 

“What is?” I thought she might mean the bad music, but I wasn’t sure.

 

She looked even more irritated with me, began curling her dark hair up into a chignon to alleviate the heat of the night, answered, “Them. In there. All plotting their next moves, sizing each other up, who to keep and who to bin. I don’t want it.”

 

“What do you want instead?”

 

“I don’t know. I want to go away for a while, but anywhere I travel to, people like that will be there as well, and I’ll just be another one of them, a clueless white girl trying to find herself.” She freed a hairpin from her clutch to try and make the chignon stay.

 

I put my hand on her knee to offer comfort and said, “You’re not like them, you know that.”

 

And she looked at me with fury in her eyes, and then for a moment her mouth closed over mine, her tongue tasting like coconut rum and menthol cigarettes; she was pressing me over backwards into the carpet. I dropped my sequinned clutch and fell with her, letting her bear down, and it was what I had always wanted, even before I knew that I wanted it, but then we heard footsteps above us and an older woman’s voice saying, “Excuse me? Oh really, how disgraceful,” before Vee grabbed her things and fled.

 

I shifted over to the side of the stairs, very deliberately not looking up at the woman as I gathered up my phone, keys, and makeup from where everything had fallen. I didn’t want to know what Vee would invent about what had just happened, so I simply went home instead.

 

Vee went to university a year later than the rest of us, after resitting her exams and moving to a different city. She stopped replying to texts, but she spotted me on the bus once when I was visiting home and ran after it, then just stared at me through the closed bus side doors when it paused in traffic, and I didn’t beckon for her to come on board. I deleted her off all my social media and blocked her number. When Ethan messaged to tell me she was dead, I thought it must be her messaging me from his account. I’d never been able to find her obituary, but perhaps they don’t publish those for ordinary people anymore.

–––

I kissed Mara quickly and excused myself, opening the same heavy door while tensing for it to shriek again, which of course it did.

 

The corridor was longer than I thought, veering off to the left and curving round as if I were tunnelling into the core of the hotel. The wooden panelling stretched up to meet the dark green anaglypta ceiling, and behind some of the doors I passed, other functions seemed to be taking place. I heard cheering to my left, the stamping of feet as if in a ritualised dance, live classical music which I’m fairly certain was Saint-Saëns, and a curious muffled sound, not so unlike choking, throaty sobs, which I concluded must be a malfunctioning old pipe. Had I walked down this way before? In a building like this, every floor would look the same, and I hadn’t been paying close attention to the paintings last time I was here. I noted a small oil painting depicting a bourgeois Frenchwoman in a plain blue dress, simulating her delight over a caged tropical bird, and hoped I’d remember it if I became disoriented.

 

The corridor grew quieter as I kept walking, even though there were still doors on either side. I thought it might also be getting narrower, but the building's curve made it hard to gauge from just looking back. The air smelt of old cooking oil, warm dust, and sweat, all the ephemera of bygone celebrations. The walls inched closer until I could touch both of them at the same time without stretching out my arms, and closer still until they were just shoulder-width apart, the last light flickering and buzzing in its sconce quite some way back. A single door stood before me, with a faint silhouette of a woman painted onto its surface.

 

I held my breath as I pushed, opening it cautiously, as if that would help. For some reason, there was a short additional corridor with sickly pale-pink walls that ended at a heavy oak door. Beyond this was yet another anteroom, with a high ceiling and a square footprint, as if I were inside a dimly lit lift shaft, except that each wall was identical, covered in a shimmering dark red lacquer that felt unexpectedly warm to the touch. I pushed at one wall impatiently, but it didn’t move. The next was indeed a door and opened onto a black-tiled powder room with a circular scarlet sofa that rose to a peak in the centre and a curious ornamental pool at one end, also black and hard to guess the depth of.

 

I let that door fall back and shouldered open the next one onto a room containing an ordinary, if old-fashioned pair of stalls with wooden seats and metal pull-chains, the floor carpeted with an ugly monochrome jacquard pattern. I finally relieved myself, irritated that it had taken so long to find these. I must have missed the sign for a more accessible ladies’ room quite some way back. I checked my phone to see whether Mara had messaged me, but there was no signal. Perhaps I had gone deeper into the hotel than I’d realised. I knew some conference rooms were treated with special paint to minimise the risk of distraction or the betrayal of secrets.

 

Emerging from the stall, I found there was no sink, and, of course, my handbag was far too small to hold sanitiser. I felt faint and overheated in that airless space; the complex jacquard pattern grinned mockingly from underfoot. I pulled open the door and stepped back into the shaft, pushing at the door I thought led to the powder room. It didn’t give, and I decided I must have tried to open the dummy door, wheeled around to press the surface opposite, which also wouldn’t open. I shoved it more forcefully, without success, then pushed at the next one to the right, growing increasingly confused. I gave up and wheeled back to where I thought I’d come, but that was blank and solid. They all looked exactly the same. I tried knocking, but couldn’t hear which ones were hollow. I kept turning this way and that, pushing, dizzying myself with the effort, and feeling even more frantic and nauseous as I turned, stuck where nobody could find me or hear my panic. The space was too tight to kick properly, but I still tried, braced between four unmoving walls. I spun all the way round again and slapped both hands against one of them in frustration, only to tumble through into the powder room at last.

 

Vee said, “I hope you’re going to wash those before you do your makeup again.” She was sitting on the sofa, in the same dark green dress she’d worn to the Leavers’ Ball, looking amused by my fear and exasperation.

 

I was so startled by her presence that all I could think to do was obey. I went to run my hands under the tap, lathering them with a strangely odourless soap in the deep black sink and hoping the cold water would restore some reality. I wanted to watch Vee over my shoulder, but there was no mirror in this room. When I turned back, she was still sitting there, smirking. I couldn’t make out whether her face had aged or not. It seemed to shift every so often, very slowly. She asked me, “Having fun?”

 

I found myself answering mechanically, “Yes, and you?”

 

This seemed to really tickle her, “Oh, great fun, I’m loving it.” She seemed to glint slightly, as if she were an especially detailed reflection being projected into the room from somewhere just beyond, then said, “Celie doesn’t want you here, you know.”

 

“That was already quite apparent to me, but thanks for the reminder.”

 

I wanted to point out that if anyone wasn’t wanted here, it was her; the others had hated her deep down, too. I wanted to embrace her one last time and say goodbye properly. I did neither; I wasn’t sure what the rules were, how blunt I was allowed to be.

 

“Why are you here? You didn’t uh … leave… from here — did you?”

 

“How rude, you must know I was at home.”

 

“Nobody told me anything. We weren’t speaking then, remember?”

 

“I remember everything, past and future. This is never not happening, but you aren’t here at all, either.” She grinned, stretching and appearing to grow taller with her back against the peak of the fainting couch.

 

I didn’t know whether she had belatedly gained an interest in truthfulness, or whether this was simply another game, “Stop being cryptic or tell me what’s in store for me.”

 

“No.”

 

“Do you have something you need to say, or is this just a social call?” I started walking towards the door, but my steps were slow, and the tiles multiplied with every step, so I never got any closer or further away from the exit. I clenched my fists in impotent frustration, and Vee must have noticed because she called out, “That girl you’re with? Tara or whatever her name is?”

 

I turned back to look at her, not wanting to tell her Mara’s real name, just in case.

 

“She doesn’t love you, not really.”

 

“I’m glad you’re dead.”

 

“I know. That’s why you feel so guilty. You think about me all the time, that’s how I’m able to visit you. The others don’t pester me nearly so much.”

 

With the cold certainty of horror, I pondered the times I had found my things back home, moved ever so slightly on the table, the laptop closed when I’d left it open, the additional shadow in the stairwell as I climbed. I was lonely, yes, but I had never been alone.

 

“I wish you wouldn’t do that.”

 

“I wish you would let me stay dead. I had a life after you, you know. None of that was about you, mostly not anyway.”

 

“I’ve never moved on from anything in my entire life, not unless I was pushed.”

 

“Come here.”

 

I shook my head, and she said it again, more softly this time, “Come here,” and I was moving over the tiles, without my feet walking at all, until we were both standing in front of one another. She had always been shorter than me, but now we were at eye level.

 

I was trembling. I didn’t know what she was about to do; in life, she had always seemed on the brink of devouring my soul, and perhaps now she would be able to. Perhaps I would let her, I had no idea how not to.

 

“Your lipstick is smudged. I’ll fix it.”

Juno Cooper, Untitled 4, 2025, silver gelatin print

Juno Cooper, Untitled 4, 2025, silver gelatin print, 10" x 8".

I opened my handbag uselessly and handed her the tube, along with a tissue. She twisted the tissue into a point and leaned in to dab at my mouth. As she did so, her face flickered for a moment, showing the sunken dark cheeks and stitch-closed eyes of her corpse underground, before it quickly resolved again to Vee at eighteen, so beautiful she could demand anything she liked, and have it too. I tried to back away, but she held me in place.

 

“Almost finished.” The lilac scent was so thick I was choking down bile, but she made me hold my mouth in an exaggerated moue to make sure she got the new coat of lipstick right. I didn’t want to breathe in. Once it was done, the pressure in the air lessened, and I stepped back. Before I could even register the motion, she was over in the far corner of the room, descending back into the placid waters of the black pool, already at calf height and disappearing fast.

 

“Wait!”

 

She turned, looking distorted and annoyed. I prayed she wouldn’t do the corpse thing again.

 

“Will I ever see you again?”

 

“Do you particularly want to?” She sank a little further, up to her knees, without appearing to move at all.

 

“I don’t know. It’s not up to me, is it?”

 

Vee said, “Mourning is only half-living. Stop wasting my time.” She began sinking rapidly into the pool as the room expanded, the force of its outward pressure pushing back through the door behind me like a wall of wind and swirling me round until I was pressed back out the door, straight across the shaft as well, back along the sickly pink corridor and into the long hallway again.

–––

I rushed back to the banqueting hall and found it fairly easily, spotted my place on the chart next to Mara, and realised that the starters had only just arrived, little creations of salmon foam and charred celeriac strewn with red roe pearls. I’d been gone less than ten minutes if my phone was working properly again. Mara was deep in conversation with the girl on her other side about something to do with KPIs that didn’t concern me, and I was relieved to note she wasn’t Mara’s type.

 

We made it through the meal, and more speeches, including a joint tribute to the enduring nature of love from Musa and Paul’s older sister, which made me dab at my eyes with the tablecloth for want of a tissue. The dancefloor was opening in the other room, but Mara was tired now; she’d done more than enough, I had to admit. I’d heard that some of the other girls had booked a nearby room in the hotel to decompress, but I wasn’t going to finagle my way in there; it would be humiliating to even try. We began the long descent to the foyer in the lift, and I realised I hadn’t said more than a sentence to Mara all evening. No wonder she seemed so cheerful. I called us a taxi and watched through the window as it wove through the streets of dark brick, bright lights, and white moulded window frames, all the familiar sights of a city that was no longer mine.

 

–––

 

We were late to the airport. A series of train delays and small arguments over packing methods meant we had to run. Mara wanted me to leave several items of clothing behind because she said they were too fussy and frumpy, didn’t look right back home, and why did I have to bring such a huge suitcase? Then she wanted to store her jacket in the suitcase because she was too hot and couldn’t carry it with her things. She had to pay extra for her bag when we got there because she had refused to measure it and it wouldn’t go in the sizer, so she argued with the blank-faced gate agent for a while before giving up.

 

We had pleaded our way through to the top of the security line and sprinted through duty free, but then became so short of breath that we had to slow down a little and speedwalk through the giant hall towards our gate, as they called out last warnings for impossibly distant places over the tannoy: Santiago, Baku, Wellington, Beijing. Mara snapped at me again to hurry up, and I swore in my heart that I would leave her one day.

 

Ahead of us, I saw a familiar face, and still walking, tried to place it. Only as we crossed paths and kept going in our opposite directions did I recognise Vee was smiling, though I couldn’t stop for her.

Leon Craig’s debut collection of queer gothic short stories, Parallel Hells, was published in 2022, and her first novel, The Decadence, is out this year (both Sceptre Books UK). Leon’s work has been featured in Hazlitt, the London Magazine, the Times, and elsewhere. She’s from London but now lives in Berlin.

Juno Cooper is a Denver based industrial designer who wishes she could just wander around with her camera all day. She takes a lot of pictures of urban environments and loves Brutalism and concrete. Armed with a Nikon F100 she bought off an old man on Craigslist and a Nikkor 50mm F1.4, she can be found peeking down alleyways and wandering around downtown areas.

Philip Smiley is a London-based artist who grew up in the Appalachian Mountains of Virginia. Philip has had a varied career, including editorial, book illustration for NYT bestsellers, and fashion print design for brands such as Comme des Garçons and Alexander McQueen. He has had many solo and group shows, and most recently was shown in the Royal Academy Summer Exhibition.

Joey Kerlin has been actively making and exhibiting work in the Denver Metro area since the early 2000’s in media ranging from functional ceramics to printmaking. His contemporary work is a synthesis of multiple media and techniques. He has been working as an art educator in both the private and public sector since 2010 and currently teaches at Aurora Central High School in the Charles Burrell Arts pathway.

bottom of page